The Enjoyment of Music (Second Essential Listening Edition)

By Kristine Forney

Flexible and built-in, with every little thing scholars have to turn into lively listeners.

completely revised with new co-author Andrew Dell’Antonio, The delight in song: crucial Listening Edition deals teachers the flexibleness to educate their path thematically or traditionally, and is helping scholars collect a lifelong curiosity in tune. With overall entry, the entire tune and media assets scholars want are instantly incorporated with each new replica of the textual content.

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327 vibrant Sheng and the assembly of Musical Cultures / LG forty two Sheng: Prelude, from China goals / Jennifer Higdon and Neo-Romantic beliefs / LG forty three Higdon: blue cathedral (excerpt) bankruptcy fifty one much less Is extra: Pärt and religious Minimalism . . . . . . 334 Minimalism / LG forty four Pärt: Cantate Domino canticum novum bankruptcy fifty two Underscoring that means: Williams and tune for movie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 339 Sound and movie / celebrity Wars and past / LG forty five Williams: Raiders’ March CONTENTS bankruptcy fifty three fact exhibits: Adams and modern Opera . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 344 John Adams and Post-Minimalism / LG forty six Adams: Dr. Atomic, “At the sight of this” / HTTN 10: homicide, Monsters, and Mayhem in glossy Opera INTERLUDE 1 tune in Sacred areas I-1 INTERLUDE 2 tune for level and display INTERLUDE three tune between buddies INTERLUDE four tune in Public areas APPENDIX 1 Musical Notation APPENDIX 2 word list credit Index A-21 A-23 A-7 A-1 I-4 I-8 I-12 xiii THEMATIC CONTENTS song IN SACRED areas INTERLUDE 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . I-1 bankruptcy 12 Voice and Worship: culture and Individuality in Medieval Chant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . sixty nine Hildegard of Bingen: Alleluia, O virga mediatrix bankruptcy 14 have in mind Me: Personalizing the Motet within the Renaissance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . eighty Josquin: Ave Maria . . . virgo serena bankruptcy 15 Glory Be: song for the Renaissance Mass . . . . . . . . . . . . . . . . . eighty five Palestrina: Pope Marcellus Mass, Gloria bankruptcy 17 Musical Sermons: Bach and the Lutheran Cantata . . . . . . a hundred and five Bach: Cantata No. one hundred forty, Wachet auf, Nos. 1 and four bankruptcy 18 Textures of Worship: Handel and the English Oratorio. . 111 Handel: Messiah, “Rejoice significantly” and “Hallelujah” bankruptcy 29 Mourning a Hero: Mozart and the Requiem . . . . . . . . . . . . . . . 182 Mozart: Dies irae, from Requiem bankruptcy 39 Dramatic Devotion: Verdi and Romantic Sacred song. . 249 Verdi: Libera me (excerpt), from Requiem bankruptcy fifty one much less Is extra: Pärt and non secular Minimalism . . . . . . . . . . . . . . 334 Pärt: Cantate Domino canticum novum xv xvi THEMATIC CONTENTS tune FOR degree AND reveal INTERLUDE 2 ......................................................................... I-4 bankruptcy sixteen appearing Grief: Purcell and Early Opera . . . . . . . . . . . . . . . . . a hundred Purcell: Dido and Aeneas, Act III, Dido’s Lament bankruptcy 28 Making It actual: Mozart and Classical Opera . . . . . . . . . . . . . . one hundred seventy five Mozart: Don Giovanni, Act I, scene 2 bankruptcy 37 Multimedia Hits: Verdi and Italian Romantic Opera . . . . . 233 Verdi: Rigoletto, Act III, excerpts bankruptcy 38 overall paintings: Wagner and German Romantic Opera . . . . . . . . . 242 Wagner: Die Walküre, Act III, commencing and finale bankruptcy forty-one Calculated surprise: Stravinsky and Modernist Multimedia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 271 Stravinsky: The ceremony of Spring, half I (excerpts) bankruptcy forty four people Opera?

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