Pattern and Palette Sourcebook 3: A Complete Guide to Choosing the Perfect Color and Pattern for Any Design

By Gillian Blease

Trend and Palette Sourcebook three is a computer library of colours and styles that addresses the professional's real-world wishes in operating with harmonies and contrasts. Divided into 6 sort sections, the booklet presents readers with 15 acceptable shades for every part, that are integrated into 25 diversified styles in every one part, proven in 6 or eight colour diversifications every one.

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Seventy four Sugar and Spice. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108 historic and glossy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142 Maritime . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176 concerning the writer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208 Introduction trend and Palette Sourcebook three is a pragmatic consultant to the appliance of colour in development layout to create diverse results. colour can be utilized to illustrate many stuff: temper and rigidity, hot and chilly, density and house. We have interaction with and reply to colour signs in our daily lives either on a easy point (e. g. , purple potential caution or cease) and on a way more sophisticated and intricate point when it comes to such elements as surroundings, task, or nutrients. It performs an important function in how we interpret which means and serve as, and for the clothier is a strong software for conversation. The origins of the styles during this publication are available within the information of the realm round us, from the mundane to the chic. The palettes for every of the six chapters—Botanics, Mechanics, software, Sugar and Spice, historic and sleek, and Maritime—reflect colour institutions either inherent to the topic and as utilized by way of society. The constitution of a repeat development permits colours to be woven jointly, to create influence, to behave as punctuation, or to harmonize. all of the styles within the following chapters is remodeled a couple of occasions utilizing a number of colours from the palette on the most sensible of the web page, permitting you to check various colour schemes for every development. whilst experimenting for your self, take note of that, even supposing winning combos can come from thought of judgements, many may be the results of satisfied injuries. Discard preconceived notions of which colours paintings good jointly and count on to be shocked! The kaleidoscopic number of the plant nation is an enormous resource of styles, even if studied intimately during the microscope or at huge within the panorama. The motifs and palettes mirror the luminosity, strength, and ornamentation of the residing global. Botanics Patterns Botanics 7 C M Y okay 26 forty nine eighty two fifty two 25 a hundred a hundred 25 1 2 three four five eight development and Palette Sourcebook three 37 forty four a hundred 23 three seventy two sixty seven zero forty two 39 fifty nine 2 eleven 50 a hundred zero C M Y ok 7 7 fifty six zero 10 15 25 10 zero 14 a hundred 14 20 24 fifty eight zero 6 7 eight nine 10 Botanics nine C M Y okay three seventy two sixty seven zero 25 a hundred a hundred 25 eleven 12 thirteen 14 15 10 trend and Palette Sourcebook three 26 forty nine eighty two fifty two eighty four sixty three ninety four forty 10 15 25 10 C M Y ok zero 14 a hundred 14 forty seven a hundred a hundred 25 25 a hundred a hundred 25 zero 89 seventy three zero 7 7 fifty six zero sixteen 17 18 19 20 Botanics eleven C M Y okay 10 15 25 10 eighty four sixty three ninety four forty 21 22 23 24 25 12 trend and Palette Sourcebook three a hundred 25 50 25 seventy one zero forty eight zero C M Y okay eighty four sixty three ninety four forty 18 thirteen eighty four zero forty four 29 eighty four zero 37 forty four a hundred 23 26 27 28 29 30 Botanics thirteen C M Y okay zero 89 seventy three zero 10 15 25 10 31 32 33 34 35 14 development and Palette Sourcebook three 37 forty four a hundred 23 eleven 50 a hundred zero 20 seventy five a hundred zero forty two 39 fifty nine 2 C M Y okay a hundred sixty nine seventy four 25 zero 14 a hundred 14 seventy one zero forty eight zero a hundred 25 50 25 25 25 a hundred zero 36 37 38 39 forty Botanics 15 C M Y ok zero 14 a hundred 14 eleven 50 a hundred zero forty-one forty two forty three forty four forty five sixteen development and Palette Sourcebook three 25 25 a hundred zero three seventy two sixty seven zero 7 zero fifty two zero C M Y okay 26 forty nine eighty two fifty two a hundred 25 50 25 10 15 25 10 25 25 a hundred zero 37 forty four a hundred 23 forty six forty seven forty eight forty nine 50 Botanics 17 C M Y okay forty two 39 fifty nine 2 26 forty nine eighty two fifty two fifty one fifty two fifty three fifty four fifty five 18 trend and Palette Sourcebook three 25 a hundred a hundred 25 26 15 forty five 10 C M Y ok forty seven a hundred a hundred 25 zero 89 seventy three zero three seventy two sixty seven zero three 28 fifty two zero fifty six fifty seven fifty eight fifty nine 60 Botanics 19 C M Y okay 26 forty nine eighty two fifty two seventy one zero forty eight zero sixty one sixty two sixty three sixty four sixty five 20 development and Palette Sourcebook three 18 thirteen eighty four zero 7 zero fifty two zero C M Y okay 26 forty nine eighty two fifty two three 28 fifty two zero forty two 39 fifty nine 2 10 15 25 10 sixty six sixty seven sixty eight sixty nine 70 Botanics 21 C M Y okay eighty four sixty three ninety four forty forty seven a hundred a hundred 25 seventy one seventy two seventy three seventy four seventy five 22 trend and Palette Sourcebook three 26 15 forty five 10 forty four 29 eighty four zero a hundred 25 50 25 C M Y ok forty two 39 fifty nine 2 10 15 25 10 zero 89 seventy three zero zero 14 a hundred 14 seventy six seventy seven seventy eight seventy nine eighty Botanics 23 C M Y okay 26 15 forty five 10 eighty four sixty three ninety four forty eighty one eighty two eighty three eighty four eighty five 24 development and Palette Sourcebook three 6 zero five seventy five a hundred 25 50 25 C M Y okay a hundred 25 50 25 seventy one zero forty eight zero 20 seventy five a hundred zero eighty four sixty three ninety four forty 86 87 88 89 ninety Botanics 25 C forty two M 39 fifty nine 2 Y okay 25 25 a hundred zero ninety one ninety two ninety three ninety four ninety five 26 development and Palette Sourcebook three 6 zero five seventy five 20 24 fifty eight zero C M Y ok 25 a hundred a hundred 25 forty two 39 fifty nine 2 zero 89 seventy three zero ninety six ninety seven ninety eight ninety nine a hundred Botanics 27 C M Y okay 15 14 a hundred 14 18 thirteen eighty four zero one hundred and one 102 103 104 a hundred and five 28 development and Palette Sourcebook three forty two 39 fifty nine 2 zero 14 a hundred 14 C M Y ok 10 15 25 10 37 forty four a hundred 23 15 14 a hundred 14 6 zero five seventy five 26 15 forty five 10 106 107 108 109 a hundred and ten Botanics 29 C M Y okay fifty eight sixty one fifty two zero 7 zero fifty two zero 111 112 113 114 one hundred fifteen 30 trend and Palette Sourcebook three ninety one seventy five a hundred fifty six eighty four sixty three ninety four forty C M Y ok 10 15 25 10 forty two 39 fifty nine 2 20 seventy five a hundred zero three 28 fifty two zero 116 117 118 119 one hundred twenty Botanics 31 C M Y okay zero 89 seventy three zero three seventy two sixty seven zero 121 122 123 124 one hundred twenty five 32 trend and Palette Sourcebook three 26 forty nine eighty two fifty two forty four 29 eighty four zero forty seven a hundred a hundred 25 C M Y ok 25 a hundred a hundred 25 a hundred 25 50 25 18 thirteen eighty four zero 25 25 a hundred zero 126 127 128 129 a hundred thirty Botanics 33 C M Y ok three 28 fifty two zero 26 forty nine eighty two fifty two 131 132 133 134 one hundred thirty five 34 development and Palette Sourcebook three eighty four sixty three ninety four forty 6 zero five seventy five forty four 29 eighty four zero C M Y okay forty seven a hundred a hundred 25 26 15 forty five 10 7 zero fifty two zero 136 137 138 139 a hundred and forty Botanics 35 C M Y okay eighty four sixty three ninety four forty three 28 fifty two zero 141 142 143 a hundred and forty four a hundred forty five 36 trend and Palette Sourcebook three seventy one zero forty eight zero C M Y okay 10 15 25 10 forty two 39 fifty nine 2 a hundred 25 50 25 26 forty nine eighty two fifty two 146 147 148 149 a hundred and fifty Botanics 37 C M Y okay 25 25 a hundred zero 6 zero five seventy five 151 152 153 154 one hundred fifty five 38 development and Palette Sourcebook three zero 89 seventy three zero C M Y ok 6 zero five seventy five zero 14 a hundred 14 eight nine 20 7 eighty four sixty three ninety four forty 10 15 25 10 156 157 158 159 a hundred and sixty Botanics 39 The features of equipment in motion—repetition, rhythm, and noise—translate obviously into styles.

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