Houston, We Have a Narrative: Why Science Needs Story

By Randy Olson

 Ask a scientist approximately Hollywood, and you’ll most likely get eye rolls. yet ask an individual in Hollywood approximately technology, and they’ll see buck symptoms: moviemakers understand that technological know-how should be the resource of significant tales, with the entire drama and motion that blockbusters require.
That’s an enormous mistake, says Randy Olson: Hollywood has much to educate scientists approximately the best way to inform a story—and, finally, tips on how to do technological know-how greater. With Houston, now we have a Narrative, he lays out a stunningly easy procedure for turning the uninteresting into the dramatic. Drawing on his exact history, which observed him depart his task as a operating scientist to release a occupation as a filmmaker, Olson first diagnoses the matter: whilst scientists let us know approximately their paintings, they pile one second and one element atop one other second and one other detail—a stultifying procession of “and, and, and.” What we'd like in its place is an figuring out of the elemental parts of tale, the narrative constructions that our brains are all yet hardwired to seem for—which Olson boils down, brilliantly, to “And, yet, Therefore,” or ABT. At a stroke, the ABT method introduces momentum (“And”), clash (“But”), and determination (“Therefore”)—the basic development blocks of tale. As Olson has proven through best numerous workshops around the world, whilst scientists’ eyes are opened to ABT, the impression is unbelievable: by surprise, they’re not only speaking approximately their work—they’re telling stories approximately it. And audiences are captivated.
Written with an unusual verve and exuberance, and outfitted on ideas which are acceptable to fields a ways past technological know-how, Houston, we've a Narrative has the ability to rework the best way technology is known and favored, and finally how it’s done.

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